2021-2022
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The problem of pseudo-sciences and the concept of “truth” in science.
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A radiodrama by Andrew Bovell, a concerted piece for four characters
![©Hugo Glendinning](/sites/default/files/styles/show_list/public/imported-images/uploads/seasons/2021-2022/exhibitions/rewriting-performance/it_copertine-850x395-21_original_3.jpg?itok=kZuHnf5I)
The creative process of the choreographer is presented as a form of slow and casual accumulation of meaning that emerges during the work itself.
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The fine line between the normal and the pathological.
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The importance of the relationship between the sounds produced by the environment and the organic nature, without artificial instruments, of music.
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Benedetto Sicca joins Emanuele D’Errico for a joint writing project, with Alla festa di Romeo e Giulietta.
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What is life like for three foetuses forced into the meagre space of their mother’s womb?
A show that marks the return of Balletto Civile to Tramedautore, with a rich cast of performers aged between 9 and 76.
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A reflection on contemporary society, on ourselves, on our relationship with power and the trust we place in it.
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A form of real-life theatre that, through the authenticity of the main characters, blurs the boundaries of entertainment.
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The caustic and knowing words are echoes of past legends and the slogans of the present that coldly describe our times.
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Carlo Porta’s translation of Dante’s Inferno meets Schubert’s “Winterreise”, in celebration of the 700th anniversary of the death of Dante.
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Anorexia seen as a symptom of, and form of defence against, childhood abuse.
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Little Amal’s journey begins near the Turkey-Syria border, to travel more than 8,000 km carrying a message for the Western World: “Don’t forget us”.